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The Stone Virgins: A Novel, by Yvonne Vera
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Winner of the Macmillan Prize for African Adult Fiction
An uncompromising novel by one of Africa's premiere writers, detailing the horrors of civil war in luminous, haunting prose
In 1980, after decades of guerilla war against colonial rule, Rhodesia earned its hard-fought-for independence from Britain. Less than two years thereafter when Mugabe rose to power in the new Zimbabwe, it signaled the begining of brutal civil unrest that would last nearly a half decade more.
With The Stone Virgins Yvonne Vera examines the dissident movement from the perspective of two sisters living in a small township outside of Bulawayo. In a portrait painted in successive impressions of life before and after the liberation, Vera explores the quest for dignity and a centered existence against a backdrop of unimaginable violence; the twin instincts of survival and love; the rival pulls of township and city life; and mankind's capacity for terror, beauty, and sacrifice. One sister will find a reason for hope. One will not make it through alive.
Weaving historical fact within a story of grand passions and striking endurance, Vera has gifted us with a powerful and provocative testament to the resilience of the Zimbabwean people.
- Sales Rank: #1296291 in eBooks
- Published on: 2004-02-14
- Released on: 2004-02-14
- Format: Kindle eBook
From Publishers Weekly
At times bordering on a prose poem, this dense, kaleidoscopic novel by Zimbabwean author Vera (Butterfly Burning) is set against the civil war that ravaged her country in the early 1980s, shortly after Zimbabwe won its independence from Britain. The story takes place largely in the rural outpost of Kezi, a small hamlet of mud huts 200 kilometers away from the city of Bulawayo. The heart of Kezi is Thandabantu Store, one of the few commercial establishments, site of the bus stop and Kezi's only phone booth (which has neither wires nor handset), and the town's unofficial gathering place. Here a young woman named Thenjiwe meets a worldly museum curator from Bulawayo and begins a tentative affair. The civil war intrudes, however. Caught up in the orgiastic killing frenzy, a soldier named Sibaso murders Thenjiwe and rapes and mutilates her sister Nonceba. Thandabantu Store is destroyed in a final conflagration, but Nonceba finds her way to Bulawayo and takes shelter with Thenjiwe's former lover, offering a pallid ray of hope. The story shifts between the perspectives of Thenjiwe, Nonceba and Sibaso. Vera's impressionistic writing can make it difficult to grasp the political context and chronology of the war, but it perfectly captures the terrifying chaos of the fighting, as well as the rhythms of provincial African life ("In truth, the bus drives from Bulawayo to Kezi.... But on the slim wooden plaque suspended next to the conductor's window, Kezi comes first, and in the minds of the residents of Kezi, of course, Kezi comes first: the bus, therefore, is seen as driving from Kezi to Bulawayo").
Copyright 2003 Reed Business Information, Inc.
From Booklist
"All they want is to come and go as they please." With simple poetic words, Zimbabwean writer Vera brings home the daily struggle in her country, from the harsh repression of the long colonial regime through the fight for independence and the horrifying brutality of the civil war. She focuses on two sisters, Thenjiwe and Nonceba, and the rural community of Kezi where they live. The brilliant opening chapters are set in Kezi's village store, where the people wait for news from those who have left for the city, and the bus brings back messages and packages (some of them empty) as well as returning migrants happy to be strangers at home. Then comes the war, and the women grab their new role as freedom fighters, but the dreams of independence are shattered in a new world of land mines, roadblocks, and guns. Without sensationalism or heroics, this searing novel speaks of dislocation, terror, betrayal, and strength. Hazel Rochman
Copyright © American Library Association. All rights reserved
Review
"Yvonne Vera writes with magnificent luminosity. The Stone Virgins is a song about the author’s people, and the tragedy of their lives and their loves, contrasted against the sheer beauty of their land. It may yet prove to be one of the notable novels of the twenty-first century."
-Ama Ata Aidoo
"Yvonne Vera brings to this novel her extraordinary gift of sidelong and oblique entry into the heart of things using the total environment, trees, sky, river, rocks, and mountains--they are themselves characters--to express human emotion. Her treatment of love is unusual and strikingly original bringing out its redemptive power which triumphs over the horrors of war and human cruelty."
-Eldred D. Jones, Editor, African Literature Today
"The Stone Virgins is Vera at her lyrical best. Her affinity for visual art comes through in her writing. Her descriptions are painted, by turns, in bold palette-knife applied strokes and delicate pastel colors. The novel exudes compassion, tolerance and sensitivity -- the three hallmarks of great writing. Post-colonial African literature is led by Zimbabwean writers and she is the by far the most imaginative and original voice among them."
-Zakes Mda
Most helpful customer reviews
0 of 0 people found the following review helpful.
Three Stars
By sahve greeff
I didn't finish reading it not my taste, the writing is a bit abstract and poetic for me.
0 of 2 people found the following review helpful.
Tries a bit too hard
By Askia Nyere
I found myself lost in some of the imagery in this book. Vera's sytle is indeed lyrical. The problem is that in places, she becomes so entangled in poetic imagery that the point of the scene is lost. I couldn't understand what was happening for pages at a time. Still, she successfully employs this technique throughout most of the book.
13 of 13 people found the following review helpful.
A STUNNING CREATION � MOVING AND POETIC
By Larry L. Looney
Yvonne Vera is an artist - a painter with words. The images she conjures, her amazing gifts to the reader, that grace the pages of this incredible novel, come straight from her soul - which is obviously filled with a deep love and compassion for her homeland, Zimbabwe, and its people. In these few pages (less than 200), she manages, through the related experiences, thoughts and emotions of her four main characters, to enlighten the world about the joyous/painful rebirth of Rhodesia into Zimbabwe, and to comment with cutting insight on forces as universal to all of humanity as love, hate, peace, war, kindness, unspeakable cruelty, and selfless, unconditional devotion.
She does all of this by utlizing language that is some of the most poetic and beautiful I have ever been blessed to read - her prose is by turns stark and loving, sheltering and illuminating, protective of what is fragile and precious, and unflinchingly revelatory about what is shameful and despicable. Her writing style varies so subtly as the story demands that it sometimes shifts imperceptably between long, graceful, sweeping word-strokes and choppy thought-bursts that could be described as literary pointillism. With some of the incomprehensible violence that occurs in this story, the beauty of Vera's writing is even more of a blessing - without, it would be a great temptation to turn away. That being said, there are also examples within of some of the most wonderful depths of the human spirit.
On the first level a story about the effect of the struggle for (and after) Independence on four people - two women, sisters; and two men, one compassionate and one a killing machine - the novel expands in depth to address multiple layers of human emotion and experience. In just one example, Vera's work here delves deeply and inspiringly into the types and purposes of memory - its coexisiting roles that aid us in understanding, protecting us, connecting us with our past and our environment, and healing us.
A word of warning, to those who might be tempted to mentally shelve this wondrous novel in `African fiction' - to do so will do a horrible disservice, not only to this author and her work, but to yourself. This is a novel that can - and should - be experienced by sensitive readers regardless of their ethnic or national background. It speaks to the universality of the human soul - I cannot recommend it highly enough.
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